Interview with Lydia Oxenham, playwright of "Thump In The Night"
Q: Many people don't really know their neighbors, even with just a thin wall separating them from the people next door. Do you think...
Interview with Joni Ravenna, playwright of "Beethoven and Misfortune Cookies"
Q: We don't normally ask playwrights about the origins of their scripts, but this one has an unusual genesis. It sprang from a kind of...
Interview with Cambria Denim, playwright of "A Girl Smiles In The Arctic"
Q: A Girl Smiles in the Arctic is getting its second production here at OC-Centric, having won Best Play at the Secret Theatre's Act One:...
Interview with Buddy Farmer, playwright of "Joey & Mare"
Q: As your bio mentions, you played football for Bear Bryant at the University of Alabama. Very few playwrights seem to come out of...
Interview with Darren Andrew Nash, playwright of "Allegory of the Cave"
Q: The title of Allegory of the Cave, of course, refers to Plato's famed allegory explaining that the reality of our existence may be...
Interview with James Colgan, playwright of "The Mulberry Bush"
Q: Your bio says that you entered theatre as an actor, and I understand that you have also been a lawyer. How have those two experiences...
Interview with Karly Thomas, playwright of "Fair"
Q: As I understand it, you took to theatre even before high school. Many kids in Orange County fall in love with theatre, many grow up...
Interview with Sara Saenz, playwright of "Crimson"
Q: You have acted a little here and there; did acting precede playwriting for you? When did you first realize you wanted to become a...
Interview with Karen Fix Curry, playwright of "Celtic Knot"
Q: Theatrically speaking, you are a "triple threat" of a particularly intriguing kind: in addition to being a playwright, you are also a...
Interview with Julie Tosh
Q: Skirt is very much a story of adaptation and survival - how we adapt to trauma, how we do or don't cope with the truth, how love...
